Showing posts with label exhibit. Show all posts
Showing posts with label exhibit. Show all posts

Tuesday, April 2, 2013

Poof!


From the 2013 NYC Armory Show
Having one of those 
I wish I could just disappear
days.

On the bright side,
next week we head to Tokyo and Taipei!

Worrying Is for Wusses.
Make that sign, art guy,
so I can put it next to my
Hang in There cat poster.

Friday, March 29, 2013

Nick Cave Horses in Grand Central


I went with some friends to try to see the
Nick Cave horses that were at Grand Central last week.
Unfortunately, so did every other person.
So we didn't get in,
but it was kind of nice out,
so at least we got some air.

This is what we missed:

You know Nick Cave.
He did this song:


Tuesday, March 26, 2013

NYC Armory Show 2013: Part 4: Some Cool Art from Jon's Phone


Tilda Swinton is sleeping under this.
Just kidding!

It was Jon himself.
Just kidding!

This was art nonetheless.
I think it's called Sleepeh.


An artist was signing/giving away Andy Warhol Brillo boxes or something.
I didn't get one or see where they were getting them from,
but it looked neat.

These acrylic legs are Matthew Barney-esque, no?


Word art is in these days.


This is awesome art.
It's represents the worst times of the winter holidays.
I bet there are already cards and T-shirts on etsy with this print.

They're synchronized enough to make a tree
out of their poop,
as if the poop tree is walking jauntily toward them too.
The men are in a yoga position.
They have such terrible diarrhea 
that it shoots through their underwear!
They're average weight men
that are identical except for their facial hair
and their underwear. 


Art made up of hundreds of unsmoked cigarettes.


The machine was automated to push holes through the tape.
It was interesting and random.
A woman suggested it was Braille.



A cool photo taken of a building not in this area.
We need cool colorful buildings architects on the eastern seaboard.
Enough of this steel, red or orange or beige brick, and glass garbage.
Color our concrete jungles for us sexy beasts!


You entered this galley's booth with a flashlight
to look at the art.
I don't know why.
The gallery was from Istanbul.


There's something so appealing about the circle it creates.
The rose gold gleaming and all.


Copy of the score by John Cage:

Jon says it's probably the most famous piece of 
experimental music.
The music is the ambient noise of the silence of the musician
not performing.

(This just underscores my anxiety at a live performance.)

Jon thinks I closed the video,
but it's still playing.


Scary stone babies.
Ma-ma?

Monday, March 18, 2013

Map of Old Businesses Around Bryant Park


Ergh!
I cannot locate the name of this type of map,
but I know I wrote it down.
Let's just call it a directory of commerce in the area.
I like how it reminds me of a Google map,
but all the little names fit in the littler spaces,
and it's all in a nice font.

A lot of stuff has changed.
Like a lot.

This is from the library exhibit Lunch Hour.

Wednesday, March 13, 2013

NYC Armory Show 2013: Part 3: From the First Armory Show




Jon said that he overheard
the person explaining that this
piece was featured at the first armory show.

I just thought it looked kind of cool.

Tuesday, March 12, 2013

NYC Armory Show 2013: Part 2: Some Pornographic Seals


Yeah, this is probably not safe for work (NSFW),
but here are a few sexy seals
that were featured as wallpaper
behind some less interesting artwork.

And in case you need to balance out with what's below,
click play on this:



  

Saturday, March 9, 2013

NYC Armory Show 2013: Part 1: Intro


It's a pier that you pretend is an armory
for a few days
that houses a huge collection of art from
galleries all around the world and the country.
But here's a better explanation.


Jon and I went back in college and a few other times.
It never seemed as popular as it did today.
It was $30,
but since there were galleries from around the world,
it was like the best contemporary pop-up show
in all the world at that moment.

We could literally see our apartment
from the show,
so it seemed best not to waste the opportunity.


Every cube was a different country it seemed.


Instead of just a few people
who really seemed like ardent collectors,
there were all types of people
who were just interested in seeing new/classic modern art.
It's a nice change that they have real food options now too.

Tuesday, January 29, 2013

A Little Dorothy Parker at the NYPL's Lunch Hour


Pam, Nat, and I went to the Lunch Hour exhibit tonight.

It was pretty neat.
There's a lot of information and interesting materials.
There were things to touch and interact with too.

In an exploration regarding the writers dining at the Algonquin,
they featured the lovely Dorothy Parker
It's interesting what Dottie's handwriting looks like.

Here's one of her poems:

Inscription for the Ceiling of a Bedroom

I must up, to make my way.
Though I dress and drink and eat,
Move my fingers and my feet,
Learn a little, here and there,
Weep and laugh and sweat and swear,
Hear a song, or watch a stage,
Leave some words upon a page,
Claim a foe, or hail a friend--
Bed awaits me at the end.


Though I go in pride and strength,
I'll come back to bed at length.
Though I walk in blinded woe,
Back to bed I'm bound to go.
High my heart, or bowed my head,
All my days but lead to bed.
Up, and out, and on; and then
Ever back to bed again,
Summer, Winter, Spring, and Fall--
I'm a fool to rise at all! 

Tuesday, January 22, 2013

Katherine's Hepburn's Pants at the NYPL


I love, love, love living in Manhattan.
It's disgustingly expensive to live here
(did you see the article about the middle class in the NYTimes?)
but there is so much free stuff!

Unfortunately, the headache of getting into or out of the city
from anywhere else in the world 
to take advantage of this stuff 
is usually not worth it.

I'm saying that if you're in town,
it's awesome, but asking someone to trek in
is kind of asking a lot.

Take this Katherine Hepburn exhibit
 at the NYPL in Lincoln Center
for example.

It was free, and it was wonderful because it was free.
Definitely a must-see if you were around and had a half hour to stop in.

Though, most people would probably prefer making an effort to see 
an Audrey Hepburn costume exhibit, I'm sure.

Still, Katherine was adorable 
in her crazy accent/pants-wearing ways.
Her costumes in her plays and movies weren't as beautiful,
but they helped create her memorable characters.

Other stuff, like sketches of herself, and a Dorothy Parker review
of her play (Dottie hated it) were nice touches.


It's hard to tell if I'd be able to fit into her clothing.
Some seemed too long for my stature,
some seemed too small for my waist.
Others seemed huge.

I feel like the pants display would be a good campaign for Gap 
or maybe an older women's clothing store.
They should make replica pants.
These are cute, especially since pleated pants,
aren't the worst things in the world any longer.

By the way how cute is that hat?
Pinterest wish list that baby.

Thursday, January 17, 2013

Jeff Koon's Tulips in Bilbao and New York City


Jeff Koons is a kind of strange-but-interesting man.
Did you see him on Colbert?

We saw one of his Tulips pieces in Bilbao
when were were at the Guggenheim in 2010.

Created in an edition of five versions, 
his later work Tulips (1995–2004) 
consists of a bouquet of multicolor balloon flowers 
blown up to gargantuan proportions 
(more than 2 m (6.6 ft) tall and 5 m (16 ft) across).*

That's us there
in the tulip balloons.

It was a really cool museum.


In November, I passed by this weird thing in front of Christie's
on my way to lunch.
I thought that was the piece--
wrapped up balls--
which was a bit avant garde for Christie's.

But then I passed by it on my way
to something in Rock Center later that evening,
and I came across this instead.

And it was pretty cool
on water
since the reflections were not only on the balloons,
but also in the water.
The windows across the street were especially making this piece all shiny. 


Jon's former coworker's girlfriend
works at Christie's.
Her job is arranging this stuff,
and this piece in particular was challenging according to her,
since Koons wanted it on ice.

We had a really nice and warm November,
so ice would've been dumb.
The little puddle was just perfect for it.

Fun fact:
The largest sum known to be paid for a work by Koons 
is Tulips, 
which was sold for US $33,682,500 (£21,219,975) 
at Christie's New York 
on November 14, 2012 
(Lot 35) in the Post-War & Contemporary Art Evening Sale.*

It's pretty cool that I saw it
just hanging outside of my office
on the sidewalk
like a bum.
All $33,682,500 of it.

*wikipedia!

Friday, January 11, 2013

Al Hirschfeld's Secret Hiding Spot


Tucked under the steps, 
like a kid wizard,
is a display of Al Hirschfeld's desk and chair.

On display is a rotating print of his work--
unfortunately this is a crappy photo,
so you can't really see what's on the page here.

The chair is like an old barber's seat
but even more optimized for absolute comfort.
The desk is marvelously old and loved.

I remember being so confused about who Al Hirschfeld was
when I was twenty-one.
I was at Alfredo's
with a publisher and editor
for whom I'd been interning,
and it was my good-bye lunch/happy college graduation lunch.
They were talking about Al Hirschfeld and Ninas.
I nodded and smiled and played my quiet-but-wise-beyond-her-years card.
I think it worked.

The first time I was at Alfredo's--
sometime earlier in college--
I hadn't even noticed the Hirschfelds.

His worked is tucked away almost everywhere.

Thursday, January 10, 2013

Armory Swings


So Jon and I popped by the Armory
on Lex and 66th
on the final day of this exhibition,
and we saw that the line basically wrapped around the building.
So we walked around to the back
to a window,
and we took a photo of it.

It was just like being there,
but not having to suffer for it.

This NYTimes piece does it better justice
than waiting two hours on line—
and then some more to swing—
with some really cranky people.


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